The film mixing hall is the most sophisticated area as regards technology. The stay does not count in hours or days, but in weeks and months. Its central point was the AMS Neve film mixing table with the Encore2 automatics and ability to work with hundreds of channels. Now AVID S6 is available for 5.1, 7.1, and above all Dolby ATMOS™ mixes. The hall has its own machine room and is equipped with JBL speakers, projection is ensured by the 35mm Sondor or HD video Panasonic post-production projector. Our most favorite reverb is the effects processor TC Electronic system 6000 MKII. The mixing hall was designed in compliance with the Dolby Premiere standard.
We are drawing on the philosophy of comfortable working environment where technology is not designed to rein but to serve. Studios coding according to the colours might be a consequence of this. The aim is to make the client feel comfortable and enable him/her to work efficiently and to easily communicate with the sound engineer or the actor in the studio.
All studios are connected with high-speed networks and have an immediate access to extensive foley and music banks. Thanks to the central logic of data storing data accepting and exporting is very operative. Another advantage of the central connection is a high data security and multiple an automated back-up.
One of the things that are most important for sound engineers, directors and filmmakers is ensuring of the sound quality. For that reason in all our studios we use the Miller&Kreisel systems that are designed specially for the AV post-production.
Even a plastic acoustic RPG diffuser can look as a piece of art. Former Czech president and playwright Václav Havel came here to have a nap on a sofa when working on his film Odcházení (Leaving).
